ME AND MUSEUM

Karapat: the Entrance Gate of Satras in Majuli, Assam N. Shakmacha Singh, Shrikant Gupta and D.D. Senapati T his article tries to explore the meaning, importance, and socio-cultural relevance of Karapat, an entrance gate of Satras- the Vaishnava Monastries in Assam, especially those which are located in the heart of Majuli Island; the largest riverine island of the world. Mājuli was one of the nerve centers of the Neo-Vaisnavite Movement during its heydays. It was at Mājuli (then known as Dhuwāhāt, Āhom territory) that Mahapurusha Srimanta Sankaradeva met his foremost disciple and apostolic successor, Madhavadeva for the very first time, in the 16 th  century. This event referred to as Manikānchan Sanyog is the single most epoch-making event in the history of the Neo-Vaisnavite Movement. After this meeting, the Neo-Vaisnavite Movement gained momentum and the medieval Caritas (the hagiographies) are full of references to Mājuli. It is said that Sankara...

BANITA BEHERA IGRMS,BHOPAL Kapdaganda- a token of love Embroidered with colourful motifs and designs on both sides, Kapdaganda is a prestigious shawl of Dongria Kondh tribe, a primitive sub section of Kondh tribe who inhabit the forest land along the slopes of the great Niyamgiri hill ranges of Rayagada and Kalahandi districts of Odisha. They also identify themselves as Jharnia because they live in close conjunction with a perennial hill stream . Woven with excellent craftsmanship, this shawl is specifically prepared by the spinsters of Dhangidibasa ( female dormitory) during leisure hours. It is used by Dongria Kondhs of all ages irrespective of gender. Kapdaganda is gifted by the Dongria girls to their beloved ones as a token of love. It is also presented by them to their brother and father as a symbol of affection to strengthen consanguinal relations. Aesthetically added designs and motifs in the shawl unfold social beliefs and religious practices.  ...

Phiruk/Phingaruk/Phinairuk and Tabu are the special the special kinds of storage baskets used in Manipur. The Meitei use it as an indispensable item for marriage ceremony.  The Maring tribe of Manipur are specialised in this traditional craft. They have got mastery over the production of this beautiful designs which they attain by using naturally dyed fine splits of bamboo. According to a local version, 'Phingairuk (Phingang; red cloth, luk- basket) is named after a group of Maring tribe who used to wear red-bordered cloth. Woven by the hill tribe, it is indespensably used by the Meiteis to commemorate the rituals and ceremonies of marriage functions. This age-old basket undoubtedly narrates the cultural history of harmonious social relation with the people of the hills and plains. Phiruk (Phi - cloth, luk/ruk - basket)/ Phinairuk or Phingaruk is a ceremonial basket available in two different sizes. The large one is used in the worship of the family and village deities and al...

The traditional drum makers (Pung Shaba) of Manipur particularly the Meitei adopt a unique style of stripping method for obtaining binding elements for making drum. Scraped and dyed leather cut into a circular form is used for preparing binding strips. These strips are used for tying the membranes that are generally fixed along the sides of the hollow body. A simple pinching tool (Punghut) is allow to stand firmly on ground and two desirable sizes of bamboo splits are placed crosswise across this Punghut. The leather is prepared with a small circular hole with the help of chisel. It is then placed in between the two splits. The teeth of chisel is pressed on the edge of the upper split of bamboo and allowed to rotate by pulling the strip through the vertical stand of Punghut which serves as a kind of axle between the two splits. This continuous pull allows the strip to cut or stripped unformly. 

Rabha is one of the important tribe of Assam largely concentrated in Gwalpada district of Assam. They are also found in the bordering areas in close conjunction with the West Garo Hills District of Meghalaya. Traditionally, Rabha house is long and elongated bamboo dominated structure constructed on a rectangular plan on raised plinth of earth. The house is thatched with local grass which is available in their surroundings. These long wild grass is available in a long stretch of growth extending to the hill ranges of West Garo Hills in Meghalaya. Rabhas are known for their unique skill of hunting, trapping and fishing activities. Traditional material cultures of the Rabhas are mostly dominated by the bamboo and wooden items. They use different varieties of bamboo species and local wood to meet their livelihood. Most of their household utilities, agricultural tools, looms, hunting and trapping implements and utensils are made of bamboo and wood. Most of the Rabha villages in ...

Banita Behera IGRMS,Bhopal While looking at craft an obvious question arises out of curiosity which sometime remains unanswered. Question possibly may be how this thing came in-to existence? How this thing was made and who made it? The indigenous tribal people of India along with their culturally rooted aesthetic principles and associated moral and religious values emphasize their craft as a unique one. As an innate and inseparable part of culture and society, the art and craft produced is styled in culturally patterned ways. There are many traditional art and crafts of tribal people, which are now on the verge of extinction. It is need of the hour to preserve and revive their culture which is gradually decoying.  A Whole hearted effort is to be made by adopting various measures and technologies to preserve and revive it or else this great cultural tradition will be buried under the sandy-shore of time. The income generating activities should not cause the tribals to mi...